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In Dys Works and Dagens Helga Wretman uses her own dyslexia to explore the mind/body relationship and how discrepancies between the two could potentially forge new connections. In Dagens Helga the viewer sees a composition of how young Wretman, in 1991, saw the world in ways that surprise the adult self. Dys Works continues this thread, accentuating the tendency dyslexic individuals have to see the 'bigger picture' as a strength through emotional lenticular vignettes. Together, the works echo Wretman's desire to hold onto a vivid interior life that confirms feelings as physical evidence.
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