Helga Wretman

  1. "Bosom Act" Performance concert. 2014.

    Using Foley, the cinematic art of human made sound effects Bosom Act channels the super-reality felt while watching movies. Proposing the pounding heartbeat as a referee to whether or not something is 'real' the frenetically choreographed performance becomes a tool for Wretman to imagine turning the machines of popular cinema and song inside out. In collaboration with composer Steffen Martin, the score fulfils the structural mechanisms of a good musical moment to contrast with the visceral sound effects made by human bodies, resulting in liberating act that unbinds the audiences from the manipulative expectations of a commercial context 

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